Insgesamt gesehen ist „Ring“ also ein absolutes Meisterwerk, dass alles bietet, was ein schockierender Film benötigt. Ich empfehle jedem das japanische Original, mit seinen authentischen The Ring (Remake); Ring (Das Original) Ring 2. Ein mysteriöses Videoband soll für den Tod von vier Menschen verantwortlich sein. Als die Reporterin den Fall untersucht und sich das Band selber anschaut, bekommt sie einen Anruf und eine unheimliche Stimme teilt ihr mit, dass sie noch 7 Tage zu. Komplette Handlung und Informationen zu Ring - Das Original Ringu (the Ring) trailer The Ring - Das Horror-Franchise nach euren Bewertungen.
Ring – Das Original Sendetermine
Ein mysteriöses Videoband soll für den Tod von vier Menschen verantwortlich sein. Als die Reporterin den Fall untersucht und sich das Band selber anschaut, bekommt sie einen Anruf und eine unheimliche Stimme teilt ihr mit, dass sie noch 7 Tage zu. Ring – Das Original (jap. リング, Ringu) ist eine Literaturverfilmung nach The Ring von Kōji The Ring () • Spiral – The Ring II () • Loop – The Ring III () • The Birthday (Anthologie, ) • S () • Tide (). Japanische. zeit-und-raum.eu - Kaufen Sie Ring - Das Original günstig ein. Qualifizierte Bestellungen The Ring - Limited Legacy Collection im Schuber [4 DVDs]. Nanako. gab es dann noch das koreanische Remake "The Ring Virus". erschien mit "Ringu 0 - Birthday" die tragische Vorgeschichte von Yamamura Sadako. Komplette Handlung und Informationen zu Ring - Das Original Ringu (the Ring) trailer The Ring - Das Horror-Franchise nach euren Bewertungen. Insgesamt gesehen ist „Ring“ also ein absolutes Meisterwerk, dass alles bietet, was ein schockierender Film benötigt. Ich empfehle jedem das japanische Original, mit seinen authentischen The Ring (Remake); Ring (Das Original) Ring 2. Dieses Original diente dem amerikanischen Remake „The Ring“ () als Vorlage. (Text: 13th Street). Originalsprache: Japanisch. Alternativtitel: Ring.
The Ring: Das Original ein Film von Hideo Nakata mit Nanako Matsushima, Miki Nakatani. Inhaltsangabe: Ein Gerücht über ein "Todesvideo" weckt das. Komplette Handlung und Informationen zu Ring - Das Original Ringu (the Ring) trailer The Ring - Das Horror-Franchise nach euren Bewertungen. Dabei scheint es schon fast eine Glaubensfrage zu sein, ob man das japanische Original von oder das Hollywood Remake von lieben. The Ring: Das Original ein Film von Hideo Nakata mit Nanako Matsushima, Miki Nakatani. Inhaltsangabe: Ein Gerücht über ein "Todesvideo" weckt das. 2 Userkritiken zum Film The Ring: Das Original von Hideo Nakata mit Nanako Matsushima, Miki Nakatani, Hiroyuki Sanada - zeit-und-raum.eu Dabei scheint es schon fast eine Glaubensfrage zu sein, ob man das japanische Original von oder das Hollywood Remake von lieben.
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Wagner also decided to show onstage the events of Das Rheingold and Die Walküre , which had hitherto only been presented as back-narration in the other two parts.
These changes resulted in some discrepancies in the cycle, but these do not diminish the value of the work. Wagner subsequently delayed announcing his completion of Siegfried to prevent this work also being premiered against his wishes.
Wagner had long desired to have a special festival opera house, designed by himself, for the performance of the Ring.
In , he decided on a location in the Bavarian town of Bayreuth. In , he moved to Bayreuth, and the foundation stone was laid.
Wagner would spend the next two years attempting to raise capital for the construction, with scant success; King Ludwig finally rescued the project in by donating the needed funds.
The Bayreuth Festspielhaus opened in with the first complete performance of the Ring , which took place from 13 to 17 August.
The first production of the Ring in Italy was in Venice the place where Wagner died , just two months after his death, at La Fenice.
The Ring is a major undertaking for any opera company: staging four interlinked operas requires a huge commitment both artistically and financially; hence, in most opera houses, production of a new Ring cycle will happen over a number of years, with one or two operas in the cycle being added each year.
The Bayreuth Festival , where the complete cycle is performed most years, is unusual in that a new cycle is almost always created within a single year.
Early productions of the Ring cycle stayed close to Wagner's original Bayreuth staging. Trends set at Bayreuth have continued to be influential.
Following the closure of the Festspielhaus during the Second World War , the s saw productions by Wagner's grandsons Wieland and Wolfgang Wagner known as the 'New Bayreuth' style , which emphasised the human aspects of the drama in a more abstract setting.
This drew heavily on the reading of the Ring as a revolutionary drama and critique of the modern world, famously expounded by George Bernard Shaw in The Perfect Wagnerite.
Early performances were booed but the audience of gave it a minute ovation in its final year. Seattle Opera has created three different productions of the tetralogy: Ring 1 , to Originally directed by George London , with designs by John Naccarato following the famous illustrations by Arthur Rackham.
It was performed twice each summer, once in German, once in Andrew Porter's English adaptation. Henry Holt conducted all performances. Ring 2 , — Directed by Francois Rochaix, with sets and costumes designed by Robert Israel, lighting by Joan Sullivan, and supertitles the first ever created for the Ring by Sonya Friedman.
The production set the action in a world of nineteenth-century theatricality; it was initially controversial in , it sold out its final performances in Ring 3 , — the production, which became known as the "Green" Ring , was in part inspired by the natural beauty of the Pacific Northwest.
The performances, conducted by Asher Fisch , were released as a commercial recording on compact disc and on iTunes. In the first production of the cycle in Russia in modern times was conducted by Valery Gergiev at the Mariinsky Opera , Saint Petersburg, designed by George Tsypin.
The production drew parallels with Ossetian mythology. This version of the Ring tells the story from the viewpoint of Brünnhilde and has a distinct feminist angle.
For example, in a key scene in Die Walküre , it is Sieglinde and not Siegmund who manages to pull the sword Nothung out of a tree.
At the end of the cycle, Brünnhilde does not die, but instead gives birth to Siegfried's child. The production uses imagery from various eras of American history and has a feminist and environmentalist viewpoint.
Recent performances of this production took place at the John F. Lepage's staging was dominated by a 90, pound 40 tonne structure which consisted of 24 identical aluminium planks able to rotate independently on a horizontal axis across the stage, providing level, sloping, angled or moving surfaces facing the audience.
Bubbles, falling stones and fire were projected on to these surfaces, linked by computer with the music and movement of the characters.
Lepage's "Machine", as it affectionately became known, underwent major reconfiguration for the revival in order to dampen the creaking that it had produced in the past to the annoyance of audience members and critics and to improve its reliability, as it had been known to break down during earlier runs including on the opening night of Reingold.
Classical Voice America heralded the production as "one of the best Rings anywhere in a long time. It is possible to perform The Ring with fewer resources than usual.
In , the City of Birmingham Touring Opera now Birmingham Opera Company , presented a two-evening adaptation by Jonathan Dove for a limited number of solo singers, each doubling several roles, and 18 orchestral players.
In a different approach, Der Ring in Minden staged the cycle on the small stage of the Stadttheater Minden , beginning in with Das Rheingold , followed by the other parts in the succeeding years, and culminating with the complete cycle performed twice in The stage director was Gerd Heinz , and Frank Beermann conducted the Nordwestdeutsche Philharmonie , playing at the back of the stage.
The singers acted in front of the orchestra, making an intimate approach to the dramatic situations possible.
The project received international recognition. From Wikipedia, the free encyclopedia. Cycle of four operas by Richard Wagner.
Bayreuth Festspielhaus. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. April Learn how and when to remove this template message. This section does not cite any sources.
Please help improve this section by adding citations to reliable sources. Main article: Der Ring des Nibelungen: composition of the text.
Main article: Der Ring des Nibelungen: composition of the music. Main article: Der Ring des Nibelungen discography. Classic FM.
Retrieved 12 September Chicago Tribune. Retrieved 17 June The Economist. Retrieved 20 September Also useful is a translation by Stewart Spencer Wagner's 'Ring of the Nibelung': Companion , edited by Barry Millington which, as well as containing essays, including one on the source material which provides an English translation of the entire text that strives to remain faithful to the early medieval Stabreim technique Wagner used.
See Mendelssohn , pp. Retrieved 29 April Wagner Operas. Having been a fan of horror movies since I was a kid, I've come to a point where nothing scares me.
Then one day I saw Ringu and its slow pace at first turned me off but when I reached the end not only was I truly scared, I was scared for days after, even just thinking about it.
I've become a fan of Japanese horror movies and Dark Water was just as scary. I love American horror, but sometimes it's just so obvious and they always go for the blood and gore.
Now I like the slow pace, watching the characters doing daily chores, just like we do in our lives. They seem a lot more like real people than in American horror films so the horror that they experience makes you think that it could happen to you.
Face it, none of us are going skinning dipping in a lake and having a guy with a chainsaw come after us, but all of us go to the grocery store, make dinner and many of us pick kids up from school.
It's the monsters that invade our normal lives which have the power to terrify. This is a pretty creative story, and although I did see the American version first, I credit this for it's originality and eeriness.
One thing that affects all of us is we like to watch videos, so to suggest that to do something so simple could be horrorfying is pretty cool.
Although the American version is more visually detailed, the faces of the victims resembling drowned victims is much more clever than the scared to death faces of Ringu since the girl did drown to death, also the video tape in the American version was more disturbing, however the American version left more holes in the actual story that Ringu cleared up for me.
For instance the reason the little girl was Ringu is a little more scientific, explaining the girl to be protective of her Mother where in The Ring the girl seemed to be simply pure evil.
I've found Ringu to be more interesting and less horrorfying than The Ring. But there is one thing that both movies were equal about and begged the question, where is DHS?
See all reviews. Top reviews from other countries. In , Koji Suzuki released his novel Ring. A classic of paranormal horror where a videotape containing a curse makes all its viewers die seven days later; a mystery which a reporter and his best friend try to resolve in a race against time as they have both watched the device.
From its publication, the novel gave nationwide success to its author. As for worldwide recognition, it would be thanks to the movie adaptations of his novel.
And unlike the Verbinski remake, no CGI manipulations present the horror occurring to the ill-fated character. An efficient way to puzzle audiences and wonder what is going on.
Which makes the tragedy more frightening. As for the narrative, Hiroshi Takahashi did a great script. And as for Ryuji, a much more different personality from the original novel.
Sympathetic and friendly; he is the polar opposite of his novel counterpart who was sinister and ambiguous in his lifestyle. And as for the mystery itself, though the major pieces remain, much of the secrets behind it are more simpler.
Easier to understand, but more related to the paranormal than the original novel which was linked to a virulent disease the viewers contracted.
So kudos to both Takahashi and Nakata-sensei for their excellent work in bringing forth a successful adaptation of the film.
As for the length of the film, I found it well-paced in its 90 minutes. So people can dive into the story quite well, without expecting any unbearable time stretches.
Now for the horror qualities of Ring , I love how these moments occur in subtle ways. And in its soundwork, music appearing only at crucial instances; at the presence of a major location or during a paranormal event.
Making the non-musical instances as important and as tense as those with music. Therefore, kudos to Kenji Kawai who made a very frightening soundtrack.
And for the actors, all of them excellent. Never overacting or unbelievable in their performances, I felt like I saw real people standing before me in the film.
Especially in their most frightening states as they uncover the horrors of the curse. Finally for the special effects, they remain subtle, mostly in cloud effects or certain paranormal instances.
And not once are they hokey or flagrant as I have seen in some Japanese horror films where the CGI was disappointing. Indeed, through this whole film, they remain excellent and faithful in their employment.
So in conclusion, to all those who want to see a good Japanese Horror film, I encourage you all to see Ring. Creepy, atmospheric horror packed with understated weirdness from beginning to end.
It isn't a thriller, or a loud, noisy horror film. You have to buy into it, to a certain extent, and allow the film to win you over; but it really is worth it.
Wonderfully shot, great use of colour and incredible sound. I've seen it four times now. I still sometimes hear that weird scrunching noise in my nightmares.
The scene with discovery of the mirror still freaks me out, and I couldn't tell you why. A truly creepy film, without relying on shock tactics, violence or jump scares the film successfully builds up an atmosphere of dread.
The film is low budget and simple but pretty original too. The overall look of it favours subdued colours and a blue tint to the picture.
I liked the slow pace of the film too and the rising stakes once the little boy becomes involved with the story. I really recommend buying the Blu Ray.
The film was given a 4K transfer supervised by the director of photography. While still holding onto it's inventive, low budget look the Blu Ray gives you a much higher bit rate, more natural colours while still looking organic and keeping a light layer of fine grain.
The film manages to be both incredibly creepy but also kind of sad. I swear the little boy never smiles or laughs once. There's some nice subtext to the film about how modernity is sort of the real monster.
The television and the video tape become suddenly sinister. Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
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Hiroshi Takahashi. Masato Hara. Kenji Kawai. Iwao Saito. Japanische Verfilmungen. Amerikanische Verfilmungen. Koreanische Verfilmungen.